"what really got to me were the lyrics. ...it is “blues” transformed, updated and urbanized." ..
Taking Blues to New Places with R&B, Soul, and Urban Style : "Exquisite Modern and Traditional Blues and Neo-Soul by one of the most talented artists on the contemporary scene. Billy Jones is a young, genius-level, totally charismatic veteran who shows all the signs of becoming as big or bigger than Buddy Guy. This young man has enormous talents. I recently witnessed a 2-song DVD by Billy and his band that just added to my excitement regarding this on-stage dynamo who boasts movie-star good looks, a Huge voice, great guitar-playing and a Hot repertoire of tunes. All tracks were written by Billy ...and what a voice! With Billy Jones showing so many talents and covering every single genre close to Blues, the Man is a ‘can’t miss’ star-in-the-making…No wait, he’s not in-the-making…He’s made! If a major U.S. label doesn’t scoop up this high-level Blues genius within the next 3-4 months then we’re all in trouble! But, whatever happens, No One is going to keep a lid on Billy Jones. He’s off on-a-rocket folks and we certainly need a Big Blues talent like his." "One of the very Best Authentic Modern Blues and Soul albums in recent memory." http://www.realbluesmagazine.com/ http://myspace.com/billyjonesbluez
...gangsta bluez from the ghetto. ...gangsta bluez for the ghetto :"Billy Jones is one of the ‘good guys’. He is a young man from Arkansas who is truly interested in advancing and extending ‘Great Soul Music' from the Ancient to the Future’ and making sure that it is available for future generations. As such he is one of my personal musical heroes. We don’t have enough artists like him and hopefully he is going to inspire others. Updating the blues for the 21st century is not an easy matter... Billy Jones has managed it. Think Bobby Womack with Curtis Mayfield's social conscience and you are getting close. Perhaps the most important thing to note is that his sound is more acceptable to modern ears and maybe that will get more people to listen to his message. Jones has a voice that will enchant you. This is a fine, soulful album. It's a first person rumination about "growing up in the ghetto" that packs a poignant wallop. The message is deep and heartfelt... lyrically-inspired Contemporary R&B." http://www.Soul-Patrol.com http://www.blackplanet.com/billyjonesbluez
"Billy Jones brings back the Thrill that once belonged to Jimi Hendrix, Stevie Ray Vaughan, Frank Marino & Mahogany Rush. ...A refreshing blast of the really great sound of Healing Blues, Jazz, Funk Music. Loaded with Rich Blues Tradition B.B. King, Muddy Waters, Even Johnny Winter Flavors. I'd recommend this to any avid blues listener and I look forward to hearing more from the reclusive Billy Jones." www.southerncoalitionmovement.com/billyjonesbluez www.centerstagechicago.com/music/whoswho/BillyJonesBluez.html
.. The Incredible Resurrection, Metamorphosis and Re-invention of Blues and Soul Music :
No one who I can think of, except perhaps James “Blood” Ulmer, has taken a truly contemporary look at traditional blues with the musical and lyrical intensity of Billy Jones. While Ulmer’s music is often dark and angry, Jones takes a more restrained and soulful approach while still expressing deep love, despair, and other intense feelings with his music. Musically, there is a mix of styles on the CD. Jones can hammer out some hard, driving blues or go more traditional in his approach. But what really got to me were the lyrics. There are several songs where Billy gets into the urban problems of his "hometown." The modern, urban blues lyrics start right from the beginning of the CD. He starts out with some slow jam/blues in a ballad called “Here With You”. He sings of how deep his love is: “your love is much warmer than my prison cell, so if the homies ride tonight I think I’m gonna stay right here”. With the second track, “Pull My 44”, Jones sings of a jealous lovers' rage. He describes his lovers' beauty and talks about how he’s jealous and if “I catch you messin’ wit’ my woman, Man I’m mo’ pull my 44”. The music has a Mississippi Delta component to it, yet it is modern and urban. Later, we hear “Crystal”; this is a semi-psychedelic rocking song about his addiction and the dangers of Crystal. It’s not a girlfriend named Crystal, but crystal methamphetamine. In the title track, “My Hometown’, Jones talks frankly about the problems in the ghetto. Schools not teaching you what to do, gangs, violence, meth labs, broken families, and a repressive system all become part of these modern blues. Jones goes a more traditional R&B route with music and lyrics in cuts like “Right Now” and "Never Let You Go”. The deep bass notes driving the beat and his vocals are a throwback to an older soul era where he sings of loves won and lost. In “The Clown” Billy goes to his guitar and sweetly bends some notes to punctuate the song about his lost love, where he states “and girl for you I’m just a clown.” Top to bottom, this is a nice little CD. Jones calls his music “Bluez” and sings about the problems of his life and hometown with heart and feeling; it is “blues” transformed, updated and urbanized. This North Little Rock, Arkansas musician is the real deal and “my Hometown” is a great CD!" http://crossroadsreviews.blogspot.com/
Billy Jones Bluez Links : http://billyjonesbluez.hyves.net/ ...europe http://myspace.com/billyjonesbluez ...usa ...Official Website http://musictrax.jp/billy_jones_bluez ...japan http://www.blackplanet.com/billyjonesbluez ...usa http://losangeles.going.com/billyjonesbluez ...los angeles http://www.facebook.com/profile.php?id=551528789 ...usa http://myspace.cn/billyjonesbluez ...china
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Mixcraft™4 is an affordable multi-track audio and MIDI recording studio that enables you to compose original music, record your band, create a podcast, or remix a song. Use it as a multi-track recorder or as a music loop remix program.
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Hello loyal readers of the Breaking Blog! *Rolling Stone* is moving all of the Breaking stories you're used to finding here into the Rock & Roll Daily Blog. You'll still find our weekly Breaking stories, Hype Monitor, MP3 downloads, videos and those other stories on new artists and music you love — just at a different address. Follow this link to go directly to Breaking stories in Rock & Roll Daily, or just head on into the Rock Daily blog and dig around for yourself. Thanks for reading, and we'll see you over there!
**Who:** Anya Marina, a pixie-ish Michigan-born California gal who ditched a sputtering film career (*100 Girls*, anyone?) to become a local disc jockey. Honing her songwriting chops by immersing herself in music all day allowed her to claim the San Diego local open-mike crown; a song on the *Grey's Anatomy* soundtrack called "Miss Halfway" scored her a national audience. **Sounds Like:** The dozen songs on *Slow & Steady Seduction: Phase II* are a mixture of Liz Phair sex appeal and Boswell Sisters cabaret with a dash of Jung. "You can have a side to you that's overt and raw, but usually it's reserved for the bedroom or your innermost thoughts of your mind," she tells *Rolling Stone*. "Some artists are used to going there and that's part of their shtick. I didn't want to put on airs." She credits the intensity of her singing on "Afterparty At Jimmy's" to turning out the lights in the studio and taking her shirt off. "It was fun; it was nice." **Vital Stats:** • Marina's father is a Jungian psychologist who, instead of asking how her homework was coming along, would probe her about how her relationships were developing. If he were to ask her that question today, the answer would apparently be: slowly. Marina was recently on her fifth date with a guy who was trying to talk through why things weren't working out between them. "It was a fucking three-hour long conversation," she says. "I'm thinking 'dude, you've never even tried to kiss me and we're talking about why we're not dating.' Sometimes you can't talk it out. Just shut the fuck up and throw me on the bed."
*Every week, Hype Monitor wades through the most buzzed-about bands all across the Internet to find the ones you need to hear now.* **The Band:** Hatcham Social **The Buzz:** U.K. outfit revives the old sound of Scotland, bringing back clanging chords, loose percussion and loopy vocals. **Listen If:** For you, Orange Juice is more than just a morning beverage. **Key Track:** "Wild Creatures," where swooping vocals run loop-de-loops around vibrant, violent guitars. **The Band:** Benjy Ferree **The Buzz:** Weirdo concept rock from D.C., big banging guitars and huff-n-puff vocals, like Broadway gone bonkers. **Listen If:** Your chief requirement for pop music is unpredictability. **Key Track:** "Dog Killers," a big, noisy rave-up wrapped up in grainy, grimy guitars.
Who: The Vivian Girls, three Brooklyn-via-New Jersey gals who went from forming to opening for Sonic Youth and Yo La Tengo to landing on year-end critics' list in just over a year. Sounds Like: With 10 songs clocking in under 25 minutes, their debut album is a flash flood of surf punk, girl group croon and heavy reverb. Inspirations like the Wipers, Nirvana and the Shangri-La's are evident on songs like the poppy but abrasive "Going Insane" and super-catchy "Where Do You Run To." "When we started out, we just wanted to be a really, really fast band with really short songs," guitarist-singer Cassie Ramone jokes. "That was our original game plan. Now we're trying to write songs that are longer than two minutes. We're aiming for two-and-a-half minute songs." Vital Stats: • Ramone and bassist Kickball Katy formed the band in 2007 after first meeting in high school. "We met at a Weezer concert," Ramone says. They recently recruited Katy's college friend Ali Koehler to step in as drummer. Cassie Ramone got her nom de rock after what she calls an obsession with the Ramones' Rock N Roll High School, while Katy's nickname has a more mysterious origin. "In 2002, I went to college and joined the Super Secret Kickball Society," Katy says. "But I can't talk about it."
Scottish band to watch Glasvegas know how to drone, and they do it well on this new cover of Nirvana's "Come As You Are." If you've ever wanted to hear the Nevermind track on 'ludes, now is your chance: the quartet slow the tempo without sacrificing the song's drama, amping up the reverb without losing their guitars in mush. Check it out here: [Listen]
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