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Last View: 4:06AM, 28 Oct 09
Last On: 6:27AM, 30 Sep 08
Dan Shafer
  • Male
  • Nashville TN
  • United States
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At 8:38am on August 16, 2008, Lolene said…
Hi Dan.

I am listening to "Leaving Virginia" as I make this comment. I have strong ties to the Shenandoah Valley area near Staunton, and love your song because it captures the emotions I feel each time I must be "Leaving Virginia" I know you are singing about a lady, and not a place, but the feelings are about the same, don't you think?
At 7:12am on August 15, 2008, princess kaitlyn said…
welcome to the top40charts and were happy for you to be part of us and i am a fan of yours

Profile Information

My MySpace
City and State
Nashville TN
Country
United States
Who Am I? (Membership Type)
Artist, Songwriter, Music Publisher, Music Production Services
Opt In Permission for Onsite (Top40Charts) Radio Stations To Play My Music
Yes, Please Contact Me
Website:
http://www.myspace.com/DanShafer
City and State or Province:
Nashville TN
Primary Genre -- Answer only if an artist or songwriter:
Rock
Profile Narrative -- Please write us a little about yourself.
Dan became lead vocalist for the group Mercenary on Portrait Records. Here he worked with Rusty DAddio of Ronnie James Dio and Richie Blackmore. Dans experience as a premier vocalist continued throughout the 1980s with stints as lead vocalist for the group Orphan on Polygram Records and singer/songwriter with the group Face the Music, working with Jerry Love at Paramount/Famous Music. Dans vocal talents soon began to be sought out for commercial work and in the early 1990s Dans list of successful commercial work began. This list includes Seagram Wine Cooler for HB&B, working with producer Cheryl Smith, Transformers (Robots in Disguise), Space Marines from Aliens III, and hundreds of television/radio commercials including Revlon, Pizza Hut, Tetley Tea, AT&T, Matchbox, and BC Powder. During this time Dan also started producing vocals, arranging and executing background vocals for a variety of producers and artists, also doing voice-over work for SEM&M in New York City. In 1996 Dans career expanded. After relocating to Nashville, Tennessee he started producing, arranging and executing solo vocals including background vocals for Chuck Howard, Byron Gallimore, Stuart Harris, and John Berry. His roots as a vocalist still continued working with Bucket Colwell of Bad Company, singing with the group Public Witness and on a host of jingles for Coors Lite, BC Powder in Nashville, Chicago and New York City. In 1998, Dan started a production/development company with the goal of helping artists and/or producers not only with tracks, but focussing on VOCAL PRODUCTION . Dan produced, arranged and wrote seven songs on the SALT record *SATISFIED. The single "Get Back" went to 13 R&R charts Dec 2001, and the single "Satisfied" went to 20. Currently Dan is writing with, and has written with, Kim Trible, Bill Cuomo ("Oh Sherrie" for Steve Perry), Beeb Birtles (Little River Band), Rachel Williams, Brian Williams, Bill & Will Champlin (Sons Of Champlin, the group Chicago), Joie Scott, Hilary Williams, Gary Hannan, Hollie Jett, Fidel Fernandez, J.R. Brown, Michael Tait (DC Talk), Brett Cartwright (Foghat), Jane Bach, Andrea Pearson, Elishia Hoffman, Memarie, Bonnie Swayze, Minnie Murphy, Trini Triggs, Lance Miller, Tommy Barns, Tony Stampley, Lisa Shaffer, Trenna Barnes, Stacy Widelitz ("She's Like The Wind" for Dirty Dancing), Ashley Bowers, etc...

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Breaking Artist News from Rollingstone

Attention Breaking Blog Readers! Find All Your Favorite Stories in Rock Daily

Hello loyal readers of the Breaking Blog! *Rolling Stone* is moving all of the Breaking stories you're used to finding here into the Rock & Roll Daily Blog. You'll still find our weekly Breaking stories, Hype Monitor, MP3 downloads, videos and those other stories on new artists and music you love — just at a different address. Follow this link to go directly to Breaking stories in Rock & Roll Daily, or just head on into the Rock Daily blog and dig around for yourself. Thanks for reading, and we'll see you over there!

Breaking: Anya Marina

**Who:** Anya Marina, a pixie-ish Michigan-born California gal who ditched a sputtering film career (*100 Girls*, anyone?) to become a local disc jockey. Honing her songwriting chops by immersing herself in music all day allowed her to claim the San Diego local open-mike crown; a song on the *Grey's Anatomy* soundtrack called "Miss Halfway" scored her a national audience. **Sounds Like:** The dozen songs on *Slow & Steady Seduction: Phase II* are a mixture of Liz Phair sex appeal and Boswell Sisters cabaret with a dash of Jung. "You can have a side to you that's overt and raw, but usually it's reserved for the bedroom or your innermost thoughts of your mind," she tells *Rolling Stone*. "Some artists are used to going there and that's part of their shtick. I didn't want to put on airs." She credits the intensity of her singing on "Afterparty At Jimmy's" to turning out the lights in the studio and taking her shirt off. "It was fun; it was nice." **Vital Stats:** • Marina's father is a Jungian psychologist who, instead of asking how her homework was coming along, would probe her about how her relationships were developing. If he were to ask her that question today, the answer would apparently be: slowly. Marina was recently on her fifth date with a guy who was trying to talk through why things weren't working out between them. "It was a fucking three-hour long conversation," she says. "I'm thinking 'dude, you've never even tried to kiss me and we're talking about why we're not dating.' Sometimes you can't talk it out. Just shut the fuck up and throw me on the bed."

Hype Monitor: Hatcham Social, Benjy Ferree and Cynic

*Every week, Hype Monitor wades through the most buzzed-about bands all across the Internet to find the ones you need to hear now.* **The Band:** Hatcham Social **The Buzz:** U.K. outfit revives the old sound of Scotland, bringing back clanging chords, loose percussion and loopy vocals. **Listen If:** For you, Orange Juice is more than just a morning beverage. **Key Track:** "Wild Creatures," where swooping vocals run loop-de-loops around vibrant, violent guitars. **The Band:** Benjy Ferree **The Buzz:** Weirdo concept rock from D.C., big banging guitars and huff-n-puff vocals, like Broadway gone bonkers. **Listen If:** Your chief requirement for pop music is unpredictability. **Key Track:** "Dog Killers," a big, noisy rave-up wrapped up in grainy, grimy guitars.

Breaking: Vivian Girls

Who: The Vivian Girls, three Brooklyn-via-New Jersey gals who went from forming to opening for Sonic Youth and Yo La Tengo to landing on year-end critics' list in just over a year. Sounds Like: With 10 songs clocking in under 25 minutes, their debut album is a flash flood of surf punk, girl group croon and heavy reverb. Inspirations like the Wipers, Nirvana and the Shangri-La's are evident on songs like the poppy but abrasive "Going Insane" and super-catchy "Where Do You Run To." "When we started out, we just wanted to be a really, really fast band with really short songs," guitarist-singer Cassie Ramone jokes. "That was our original game plan. Now we're trying to write songs that are longer than two minutes. We're aiming for two-and-a-half minute songs." Vital Stats: • Ramone and bassist Kickball Katy formed the band in 2007 after first meeting in high school. "We met at a Weezer concert," Ramone says. They recently recruited Katy's college friend Ali Koehler to step in as drummer. Cassie Ramone got her nom de rock after what she calls an obsession with the Ramones' Rock N Roll High School, while Katy's nickname has a more mysterious origin. "In 2002, I went to college and joined the Super Secret Kickball Society," Katy says. "But I can't talk about it."

Glasvegas Douse Nirvana's "Come As You Are" in Fuzzy Drone on New Cover

Scottish band to watch Glasvegas know how to drone, and they do it well on this new cover of Nirvana's "Come As You Are." If you've ever wanted to hear the Nevermind track on 'ludes, now is your chance: the quartet slow the tempo without sacrificing the song's drama, amping up the reverb without losing their guitars in mush. Check it out here: [Listen]

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