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Last View: 7:45AM, 29 Oct 09
Last On: 1:06AM, 13 Mar 09
Bette Dillinger
  • Female
  • Motown
  • United States
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Bette Dillinger and Sergiy Byelousov are now friends
March 27

Comment Wall (2 comments)

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At 5:24pm on January 25, 2009, 'E' thaproduca said…
Bette welcome! I would be honored to have you as a new friend for 2009.
Take care and God Bless
At 4:39pm on January 6, 2009, Pterodata said…
i wish beth a nice passage thru earth

Profile Information

My MySpace
Gender
Female
City and State
Detroit Michigan
Country
America
Who Am I? (Membership Type)
Artist, Songwriter, Record Label, Fan
Opt In Permission for Onsite (Top40Charts) Radio Stations To Play My Music
Yes
Website:
http://bettedillinger.com
City and State or Province:
Detroit Michigan
Primary Genre -- Answer only if an artist or songwriter:
Rock, Dance/Electronic
Profile Narrative -- Please write us a little about yourself.
Oh my webmasque friends please listen to Bette's tale. Bette found herself, on her first visit to Earth, in your year of 1934. Creeping past a movie theatre, she spotted an advert for a movie with a woman who appeared to have chaos dancing in her bulbous eyes.

Looking closer, the name on the poster was “Bette Davis” and the movie was “Of Human Bondage”. Since she did not know humans, she thought the name was what all women called themselves.

A young boy distracted Bette as she tried to cover her body under the dirty coat she had stolen. He could not see the blue mark on her upper arm, a loud bruise in your world, an identification of caste in hers.

The young boy wanted Bette to buy a newspaper about the man who robbed banks. She asked why more people weren’t doing this, since everything seemed to

be dead, even the movie theatre that they still stood in front of. He looked at her as if her third eye was still visible (it was hidden efficiently by her planet’s “visage developers”) and walked away in a hurry.

Fearful yet insistent, she shouted after him that she just wanted to make music.

That day, the stranger became Bette Dillinger.

Bette is an alien in a strange land, and must report to her planet with transmissions. These transmissions of late have been of the most complicated sort, since something happened to the residents of where she lived after September 11, 2001. Along with two buildings reduced to rubble, the rest of the people around her embraced fear and suspicion. Bette once more felt that terror she felt when she first touched down in your country so many years ago.

These songs currently posted are all early transmissions to her home planet, which calls itself 143.1. They are not without humour, but there is always longing. Bette found kindred musical spirits in the words of Patti Smith and Roger Waters. But everytime Bette communicates with her planet, the signal seems to be growing dimmer....it truly is in a galaxy so far away that Bette wonders if she will ever see it again......

The true report of these times with be released in early fall of your year 2008 in CD form and MP3 form, if everything goes as expected. Bette humbly asks that you support her since the ultimate heartache would be to see her alien dream yet again dashed to dust. The people on her planet love these strange songs and your planet has on this time around shown remarkable interest. Bette just worries, since she has seen it done so many times before on your planet, that the threatened tame will call the different "insane".

Bette is a very shy, insecure alien, but would love to communicate with others.
 
 

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Breaking Artist News from Rollingstone

Attention Breaking Blog Readers! Find All Your Favorite Stories in Rock Daily

Hello loyal readers of the Breaking Blog! *Rolling Stone* is moving all of the Breaking stories you're used to finding here into the Rock & Roll Daily Blog. You'll still find our weekly Breaking stories, Hype Monitor, MP3 downloads, videos and those other stories on new artists and music you love — just at a different address. Follow this link to go directly to Breaking stories in Rock & Roll Daily, or just head on into the Rock Daily blog and dig around for yourself. Thanks for reading, and we'll see you over there!

Breaking: Anya Marina

**Who:** Anya Marina, a pixie-ish Michigan-born California gal who ditched a sputtering film career (*100 Girls*, anyone?) to become a local disc jockey. Honing her songwriting chops by immersing herself in music all day allowed her to claim the San Diego local open-mike crown; a song on the *Grey's Anatomy* soundtrack called "Miss Halfway" scored her a national audience. **Sounds Like:** The dozen songs on *Slow & Steady Seduction: Phase II* are a mixture of Liz Phair sex appeal and Boswell Sisters cabaret with a dash of Jung. "You can have a side to you that's overt and raw, but usually it's reserved for the bedroom or your innermost thoughts of your mind," she tells *Rolling Stone*. "Some artists are used to going there and that's part of their shtick. I didn't want to put on airs." She credits the intensity of her singing on "Afterparty At Jimmy's" to turning out the lights in the studio and taking her shirt off. "It was fun; it was nice." **Vital Stats:** • Marina's father is a Jungian psychologist who, instead of asking how her homework was coming along, would probe her about how her relationships were developing. If he were to ask her that question today, the answer would apparently be: slowly. Marina was recently on her fifth date with a guy who was trying to talk through why things weren't working out between them. "It was a fucking three-hour long conversation," she says. "I'm thinking 'dude, you've never even tried to kiss me and we're talking about why we're not dating.' Sometimes you can't talk it out. Just shut the fuck up and throw me on the bed."

Hype Monitor: Hatcham Social, Benjy Ferree and Cynic

*Every week, Hype Monitor wades through the most buzzed-about bands all across the Internet to find the ones you need to hear now.* **The Band:** Hatcham Social **The Buzz:** U.K. outfit revives the old sound of Scotland, bringing back clanging chords, loose percussion and loopy vocals. **Listen If:** For you, Orange Juice is more than just a morning beverage. **Key Track:** "Wild Creatures," where swooping vocals run loop-de-loops around vibrant, violent guitars. **The Band:** Benjy Ferree **The Buzz:** Weirdo concept rock from D.C., big banging guitars and huff-n-puff vocals, like Broadway gone bonkers. **Listen If:** Your chief requirement for pop music is unpredictability. **Key Track:** "Dog Killers," a big, noisy rave-up wrapped up in grainy, grimy guitars.

Breaking: Vivian Girls

Who: The Vivian Girls, three Brooklyn-via-New Jersey gals who went from forming to opening for Sonic Youth and Yo La Tengo to landing on year-end critics' list in just over a year. Sounds Like: With 10 songs clocking in under 25 minutes, their debut album is a flash flood of surf punk, girl group croon and heavy reverb. Inspirations like the Wipers, Nirvana and the Shangri-La's are evident on songs like the poppy but abrasive "Going Insane" and super-catchy "Where Do You Run To." "When we started out, we just wanted to be a really, really fast band with really short songs," guitarist-singer Cassie Ramone jokes. "That was our original game plan. Now we're trying to write songs that are longer than two minutes. We're aiming for two-and-a-half minute songs." Vital Stats: • Ramone and bassist Kickball Katy formed the band in 2007 after first meeting in high school. "We met at a Weezer concert," Ramone says. They recently recruited Katy's college friend Ali Koehler to step in as drummer. Cassie Ramone got her nom de rock after what she calls an obsession with the Ramones' Rock N Roll High School, while Katy's nickname has a more mysterious origin. "In 2002, I went to college and joined the Super Secret Kickball Society," Katy says. "But I can't talk about it."

Glasvegas Douse Nirvana's "Come As You Are" in Fuzzy Drone on New Cover

Scottish band to watch Glasvegas know how to drone, and they do it well on this new cover of Nirvana's "Come As You Are." If you've ever wanted to hear the Nevermind track on 'ludes, now is your chance: the quartet slow the tempo without sacrificing the song's drama, amping up the reverb without losing their guitars in mush. Check it out here: [Listen]

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